Dirty Hit Records Signs Global Distribution Deal with Ingrooves 10 Dec 2019
Dirty Hit, the hugely successful British independent record label that launched the careers of such artists as The 1975, Wolf Alice, Pale Waves andBeabadoobee has signed an exclusive global digital distribution deal with Ingrooves Music Group, a leading independent music marketing services and distribution company.
The new agreement represents a deepening of Dirty Hit’s long relationship with Ingrooves/Universal Music Group and will further expand the independent label’s presence around the world.
“We have had a long working relationship with Ingrooves, stretching back nearly a decade,” said Jamie Oborne, Founder and CEO of Dirty Hit Records. “Bob Roback and his team at Ingrooves have built one of the most sophisticated distribution operations in the world and I’m excited about this new era for our two companies. Similarly, our ties with Universal Music Group run deep, particularly with David Joseph (Chairman and CEO UMG UK/Ireland) and John Janick (Chairman of Interscope Geffen A&M) who were early supporters of our label and artists. I am excited to continue working the next The 1975 album with the Polydor and Interscope teams. UMG’s acquisition of Ingrooves is a perfect marriage of Dirty Hit’s two core partners and so this deal with Ingrooves, whose footprint is expanding, feels like a natural evolution as we continue to grow. I’d like to thank Sir Lucian Grainge and Boyd Muir for their continued belief in and support for Dirty Hit.”
Bob Roback, Chief Executive Officer of Ingrooves, commented: “In Dirty Hit, Jamie has created an incredible launching pad for a new generation of artists. We have long been partners with Jamie on a variety of his releases and are thrilled to be expanding our partnership as he looks to grow Dirty Hit around the world.”
Over the last 10 years Dirty Hit have sold millions of records, with releases topping the charts in multiple territories, headlined festivals and sold out tours across the world and been recognised at the BRITs, Grammy’s, Ivor Novello's, Mercury's, Music Week Awards, AIM and the A&R Awards amongst others, cementing their status as one of the most exciting and influential independent labels in the world.
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THE HEADLINES
BPI CEO calls on music industry and government to unite around 5 key priorities to support human artistry and sustainably promote British music (see News)
Hipgnosis Song Management fires back at Songs Fund board (see Business)
Blackstone bid for Hipgnosis receives backing from board (see Business)
Taylor Swift’s new album breaks Spotify records (see News)
Independence - what’s up with that BPI press release about 2023 music consumption? (see Comment)
Creator Remuneration Working Group meet for the first time (see News)
Concord's takeover of Hipgnosis (see Analysis)
Concord set to acquire Hipgnosis Songs Fund (see Business)
Is the music industry gaslighting artists? (see Comment)
BPI’s new Yearbook highlights an independent sector growing for a sixth consecutive year (see Reports)
Can’t cross the moat? Walk around it. (see Comment)
The conversation around Fandom needs to change (see Opinion)
Viagogo: Carrying on ticketing, despite the controversy (see News)
Taylor Swift songs return to TikTok (see Digital)
Spotify plans new remixing tools for the TikTok generation (see Digital)
Is Spotify plotting a largescale push into short-form video? (see Digital)
AIM CEO Silvia Montello resigns for personal reasons (see News)
The techification of entertainment (and why it needs to reverse) (see Comment)
AI music startup Udio launches backed by artists and Instagram’s co-founder (see Digital)