The Sound of the Year Awards 2021 01 Dec 2021
After a successful inaugural year, The Sound of the Year Awards return. A celebration of everyday sound in all its forms, the awards are presented by The Museum of Sound in partnership with The New BBC Radiophonic Workshop and others. Submissions are accepted and encouraged from around the world. Anyone over the age of 16 can enter and there is a new classroom-based under 11’s category this year.
The awards aim to highlight the rapidly-growing international community of sound professionals and enthusiasts as the value of good sound, listening, and healthy sonic environments are becoming recognised as a vital part of our lives. Whilst there are many awards shows for the moving image, we think the time is right to acknowledge and support those working hard to build and share their expertise in moving audio as we enter this new age of sound.
In 2021, the SOTYA are partnering with like-minded and innovative organisations and institutions for specific categories, to draw focus to the work being created in their fields and to help expand the reach of the awards to a wider audience. The winners of all the over 16 categories will receive a Geofón, a unique geophone microphone, courtesy of LOM.
There will be an awards ceremony in Spring 2022.
Categories
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Sound of the Year
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Best Naturally Occurring Sound
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Best Designed Individual Sound
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Disappearing Sound
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Most Unpleasant Sound
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Best Sound Innovation in Everyday Life
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Best Innovation in a Sound Tool or Technique
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Best Imagined Sound
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Composed with Sound
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Best Classroom Soundscape (Under 11’s category)
Judges
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Andrea Zarza - The British Library
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Alannah Chance - Reduced Listening
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Trevor Cox - Professor of acoustic engineering
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Tony Gayle - The Audio Cartel
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Chris Watson - Natural history sound recordist
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Josephine Lavelle - Forestry England
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Rana Eid - db Studios
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Bernie Krause - Wild Sanctuary
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Poppy Szkiler - Quiet Mark
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Axel Kacoutié - The Guardian | audio artist & poet
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Lars Ginzel - Film re-recording mixer
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Matthew Herbert - Chair of judges | New BBC Radiophonic Workshop
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1st December - Submissions open
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31st January (6pm GMT) - Submission deadline
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Winners announced Spring 2022
Categories and Partners in detail:
Sound of the Year
A sound that captures 2021.
Best Naturally Occurring Sound - in partnership with Forestry England
A sound that occurs without human input and was captured in the last 12 months.
Best Designed Individual Sound - in partnership with Krotos
An excellent individual sound created or recorded for a TV show, film, game, or other media, that was released in the last 12 months.
Disappearing Sound - in partnership with The British Library
A sound that is unlikely to be heard in the future, but that is worth saving.
Most Unpleasant Sound - in partnership with Advanced Communication Solutions
A sound this year that has caused significant distress.
Best Sound Innovation In Everyday Life - in partnership with Quiet Mark
Recognising a new technology, appliance or technique made public in the last year, that has improved how the sound of something is experienced in everyday life.
Best Innovation in a Sound Tool or Technique - in partnership with Music Tech Fest
An award for a tool or piece of technology that has impressed this year, and has made working with sound result in a greater experience. Made or released in 2021.
Best Imagined Sound - in partnership with the Southbank Centre’s National Poetry Library
An award for someone who can describe a compelling sound that doesn’t exist yet.
Composed With Sound - in partnership with Soundgas
An award to celebrate a composition that has been made predominantly using recorded sound rather than musical or electronic instruments.
Best Classroom Soundscape (Under 11’s Category) - in partnership with Minute Of Listening
Inviting classes of children to imitate, using their voices, bodies, and materials around them, an audio recording that is hosted on a SOTYA collection on the Minute of Listening website. These classroom soundscapes can be recorded by their teachers and submitted to this category.
Prize Sponsor -LOM
Media Partner -Resolution Magazine
Rules
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All submissions must have been recorded, heard, created, or released between 1st Jan - 31st Dec 2021.
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You can make as many submissions as you like. Please fill in one form per entry.
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You can nominate yourself, your team, or someone else in the relevant categories. You should always credit the sound recordist where known.
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It is mandatory to submit an audio file recording with each submission, other than ‘Best Imaginary Sound’ which is a written submission.
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If the recording you are submitting is longer than 5 minutes in length, please send in a 5 minute section for the judges to listen to.
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The deadline for submissions is 31st January 2022, 18:00hrs (UK-Time).
Submissions are now open at:
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THE HEADLINES
Spotify talks growth, bundle royalties and short-video plans (see Digital)
BPI CEO calls on music industry and government to unite around 5 key priorities to support human artistry and sustainably promote British music (see News)
Hipgnosis Song Management fires back at Songs Fund board (see Business)
Blackstone bid for Hipgnosis receives backing from board (see Business)
Taylor Swift’s new album breaks Spotify records (see News)
Independence - what’s up with that BPI press release about 2023 music consumption? (see Comment)
Creator Remuneration Working Group meet for the first time (see News)
Concord's takeover of Hipgnosis (see Analysis)
Concord set to acquire Hipgnosis Songs Fund (see Business)
Is the music industry gaslighting artists? (see Comment)
BPI’s new Yearbook highlights an independent sector growing for a sixth consecutive year (see Reports)
Can’t cross the moat? Walk around it. (see Comment)
The conversation around Fandom needs to change (see Opinion)
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Taylor Swift songs return to TikTok (see Digital)
Spotify plans new remixing tools for the TikTok generation (see Digital)
Is Spotify plotting a largescale push into short-form video? (see Digital)