IMPALA Launches Sustainability Programme Aiming for a Net Positive Independent Music Community by 2030 08 Apr 2021
IMPALA, the European independent music companies association, is launching a sustainability programme to help make the European independent music sector more sustainable. The package consists of a climate charter for IMPALA, overall targets and voluntary tools for members.
IMPALA’s ambition is to aim for a climate positive membership by 2030, with an interim net zero target for 2026. These targets are voluntary for members and also lock in the idea that there is no one size fits all, as each company and country is different. Members will have access to guidance and training and will be able to use IMPALA’s voluntary climate declaration as well as other tools.
A project to develop the first carbon accounting tool specific to the recorded music sector is also in the pipeline. The calculator will cover the supply chain as well as label activities and IMPALA is open to working with partners to ensure maximum impact. Possible collective offsetting investment options will also be reviewed.
IMPALA’s work is cradled in a climate charter which sets out fifteen commitments for the organisation. Just last month, IMPALA took another step to implement its charter by asking streaming services to help assess and reduce the carbon footprint of digital music. This is one of IMPALA’s priorities set out in its ten step streaming plan.
IMPALA’s sustainability package was put together by a task force initiated by Horst Weidenmüller from !K7, with Alison Tickell from Julie's Bicycle appointed as adviser, alongside a range of members including Will Hutton from Beggars Group and Peter Quicke from Ninja Tune who made up the team presenting the recommendations to IMPALA’s board.
Horst Weidenmüller, Chair of IMPALA’s task force, and CEO of !K7, commented: “IMPALA’s programme means we can plan ahead, provide real sustainability options for artists and develop flexible tools for members. Acting early isn’t just a climate question, it avoids disruption and carbon taxes. Credibility is important, so we are including the supply chain. Our ultimate ambition is to be carbon positive rather than just neutral. This is what sets IMPALA’s work apart in the music sector today.”
Alison Tickell, Founder and CEO of Julie’s Bicycle, adviser to IMPALA’s task force, commented: “Managing carbon targets means a systems shift and IMPALA’s collective effort is the right approach. Mapping what the transition looks like whilst making sure it accommodates the range, size and national differences of the IMPALA membership is a cornerstone of success. Ambitious industry-led collaborations on this scale will not only help the EU deliver its Green Deal, they also help us all rise to the challenge of the climate crisis.”
Peter Quicke, Co-CEO of Ninja Tune added: “It's fantastic to see IMPALA take on a leadership role in this most important of issues. As an influential cultural industry, music must play its part in leading as well as demanding systemic change. Artists want and expect the record industry to focus on sustainability, IMPALA is helping us do that.”
Will Hutton, Head of Sustainability at Beggars Group commented: “Joining IMPALA’s programme will help members maximise the business benefits of acting quickly and assertively on the climate agenda, and removes the risks associated with inaction. IMPALA is sending a really positive message to all stakeholders across the record industry by encouraging systematic change.”
Helen Smith, Executive Chair of IMPALA concluded: “IMPALA’s mission is for the sector to grow sustainably. Our guidance for members sets out common-sense steps that a company can take voluntarily and expand afterwards if needed. Many of the issues can’t be solved by members acting on their own, but a collective approach will make the difference. We see this programme as part of our role of being a leader and will work with all others in the sector interested in accelerating change.”
IMPALA’s task force also includes IMPALA’s treasurer Geert de Blaere from News and Belgian association BIMA, Danko Stefanović from Balkans association RUNDA, Paul Pacifico from UK association AIM, Sonia Durán from Spanish association UFI and Zsolt Jeges from Hungarian association HAIL, and additional input from Jacob Bilabel from German THEMA1.
To find out more, join Horst and Alison on IMPALA’s podcast series 20MinutesWith hosted by Juliana Koranteng on 22 April, for Earth Day. This will be a special sustainability podcast explaining IMPALA’s programme.
Today’s announcement continues IMPALA’s earlier sustainability work which includes using its voice in Brussels with Music Declares Emergency and Julie’s Bicycle, meeting European Commission Vice President Frans Timmermans and culture commissioner Mariya Gabriel. With the music sector still in the throes of the covid crisis, recovery is also a top priority for IMPALA who continues to seek support for artists, freelancers and small businesses as part of its second wave recommendations.
IMPALA’s Climate Charter
IMPALA commits to:
- Hold framework for European independent music sector targets
- Convene and administer a Sustainability Task Force
- Appoint a climate advocate for IMPALA's board and each committee
- Develop carbon reporting tool for members, disclose aggregate statistics
- Transparently monitor and report own climate impacts
- Map and share examples of best practices across Europe
- Make climate literacy training available twice a year
- Produce guidance for members with practical tips
- Recognise no one size fits all, each company & country is different
- Engage with suppliers to promote change across the supply chain
- Work with digital music services to assess & reduce carbon footprint
- Explore possible collective offsetting solutions for the sector
- Support initiatives using music & culture to mobilise climate action
- Inform members about EU funding for climate projects, help them apply
- Speak out where we support specific issues and use our voice in Brussels
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THE HEADLINES
Should the state step in to save our live music scene? (see Features)
Gary Roden exits Co-op Live following troubled venue launch (see News)
Spotify talks growth, bundle royalties and short-video plans (see Digital)
BPI CEO calls on music industry and government to unite around 5 key priorities to support human artistry and sustainably promote British music (see News)
Hipgnosis Song Management fires back at Songs Fund board (see Business)
Blackstone bid for Hipgnosis receives backing from board (see Business)
Taylor Swift’s new album breaks Spotify records (see News)
Independence - what’s up with that BPI press release about 2023 music consumption? (see Comment)
Creator Remuneration Working Group meet for the first time (see News)
Concord's takeover of Hipgnosis (see Analysis)
Concord set to acquire Hipgnosis Songs Fund (see Business)
Is the music industry gaslighting artists? (see Comment)
BPI’s new Yearbook highlights an independent sector growing for a sixth consecutive year (see Reports)
Can’t cross the moat? Walk around it. (see Comment)
The conversation around Fandom needs to change (see Opinion)
Viagogo: Carrying on ticketing, despite the controversy (see News)